Mar 18, 2013
Door Time: 6:30 PM
Presented By: 94.3 KILO

Day: Monday, March 18, 2013
Door Time: 6:30 PM
Age: All Ages
Advance Ticket Price: $26
Day Of Show Price: $28
SOLD OUT

Clutch
On their ninth studio album, Strange Cousins from the West, the Maryland hard rockers continue to grow musically. Due out July 7th 2009, Strange Cousins sees the innovative quartet stirring up a sonic crock-pot of chugging blues riffs, punk rock grit, bombastic funk beats and raw, infectious vocals. Guitarist Tim Sult rips through epic grooves on cuts like "Motherless Child," while bassist Dan Maines and drummer Jean-Paul Gaster lay an impenetrable rhythmic foundation on the likes of "Minotaur." Meanwhile, Neil Fallon croons out a soulful cacophony, lyrically conjuring an intergalactic pulp fiction. Invite these Cousins in, and you'll never be the same.

Neil sees this record as a logical progression for the band. Describing Strange Cousins' sound, he explains, "This album is more stripped-down and riff-oriented. The songs really cut to the chase—getting to the jump and getting out. There was an economy of writing, and the instrumentation stands out."

The first single, "50,000 Unstoppable Watts" illuminates that. The track packs a potent punch, quickly bouncing and bobbing with a tasty riff and an even tastier rhythm. It'll also be fans' first bite of the album.

One track that resonated with Neil instantly was "Abraham Lincoln." He continues, "The lyrics came to me in a flash right after we wrote the music. Writing lyrics can be a whole lot of fun because you're given license to completely lie to everybody. I can imagine myself as someone else and say whatever I want. It's no different than the short story writing process."

In some ways, the album channels the boundless prog spirit of Clutch's earliest offerings such as their much-lauded, massively successful self-titled sophomore record. Strange Cousins is also a natural evolution from the psychedelic blues of 2007's From Beale Street to Oblivion. "There are a couple of grooves and swings in 'The Amazing Kreskin' that are reminiscent of things we did back in the early '90s. Those elements were always a part of our sound, and they've resurfaced here. To strip everything away and bring it down to brass tax was a really good exercise."

Since 1991 these individuals have been challenging rock n' roll's limits, and Clutch show no signs of abandoning the unique experimentation that has defined them. Check out the Spanish cover of Poppo's Blues Band's "Algo Ha Cambiado" for proof. Neil's voice functions as an instrument on its own, and it helps carry Clutch into a new realm.

 "If you're not learning then you're retiring," says Neil. "You've got to take risks to learn, and there's always something to learn. When you go to your grave, you're only going to have learned a fraction of what's truly out there. This record isn't so far flung from our other albums and, as far as the spectrum of rock music goes, it's not alien. Nevertheless, if we repeated one formula that would be a slow death."

The only formula that Clutch will ever subscribe to is one of progression—on stage and off. Strange Cousins is particularly special for the band because it's the first full-length of new material to be released via the band's very own indie label, Weathermaker Music. They released a CD/DVD collection of live songs, Full Fathom Five and The Bakerton Group's El Rojo through the label, but this is the first new Clutch to come from Weathermaker."There is a sense of gratification when you can call all the shots and cut out some of the middlemen. There's no artistic difference between what we're doing now and what we've done previously. We always did what we wanted to do even when we were with enormous labels like Atlantic. We've got a really good team put together to do this. We're not going to be the guy on the other side of the desk."

The band recorded the album with J. Robbins (Against Me!) in their hometown, and he once again encouraged them to be themselves. Neil comments, "He's got a really great instinct for capturing the true sound of a band. He's worth his weight and gold with his strong engineering background too."

Live, Clutch still own every stage they stomp onto. They remain a highlight at major festivals and music events worldwide from the UK's Download and Australia's Meredith Music Festival to Bonnaroo in the States. They were also a top act at the renowned Austin City Limits Festival in 2009. No matter what the forum, Clutch have cultivated a live show that can't be stopped. In between all of the festival appearances, Clutch have lined up a slew of headline dates across the U.S. for their faithful.

"The live show has stayed very true to form," explains Neil. "Our overall approach and attitude is no different than it was 15 years ago. We want people feel to like they saw a rock concert. We're not adding a lot of bells and whistles. It's just amps, microphones and the crowd. It's like an event or gathering and it's developed a party atmosphere."

Ultimately, the band's intentions are as pure as they've ever been. "We want fans to listen to the album and escape reality for a little bit and keep coming back to it for that same reason. When I listen to music, it's either in the background or it's to put on headphones and get away. You have your own movie in your head, and everybody's movie is different. If we're providing that soundtrack, that's a very cool thing. There's a sacred, ancient dialog between the musician and the listener. When that happens, it's priceless. That's what I hope people get out of Strange Cousins. It's more of a philosophical reward than anything else."

Isn't that best kind of reward?


 


 


www.pro-rock.com
https://www.facebook.com/Clutchband

Orange Goblin
Heavy Metal is not just about music: it's a way of life, a motivating mind-set, a positive force and an inspirational belief system. It's the most exciting, life-affirming noise that exists on this planet of ours, and London's indestructible masters of the furious form are Orange Goblin. Not just the UK's reigning champions of balls-out, party-starting, booze-fuelled metal, but one of the very best live rock bands of all time, the mighty Goblin have been a permanent and universally admired fixture on the British metal circuit for the past 16 years. And now they're back, with ‘A Eulogy for the Damned', their seventh and best studio album. A thunderous tour-de-force of gargantuan riffs, subterranean rumble and electrifying energy, it is the album the band have been threatening to make since they first crawled, with crumpled beer cans in hand, from the grubby Soho shadows back in the mid-90s.

Inspired by the gods of hard rock, heavy metal, punk rock and underground extremity, from Sabbath, Motörhead and Thin Lizzy through to Celtic Frost, Danzig and Black Flag, Orange Goblin were initially seen as major contenders amid the mid-90s stoner rock explosion, but it soon became apparent that this band had much more up their collective wizard's sleeve than red-eyed boogie and flapping flares. In fact, over the course of their roller coaster career, the band have proved themselves to be one of the most consistent and persistent forces in modern heavy music, amassing a catalogue of albums that rivals anything released during the same period. From the rambunctious, heads-down exuberance of their Frequencies From Planet Ten debut in 1997 through to the multi-genre bonfire of insanities that was 2007's Healing Through Fire, Orange Goblin have always kicked arse, always written songs that hit home like a stage diver's boot connecting with your forehead, always delivered the rampaging heavy metal goods while meaning every last riff, beat, solo and bellow.

But it is as a live band that Orange Goblin have founded their formidable reputation. Long renowned as skilled crowd-pleasers and party masters, the band have toured all over the world and shared stages with countless big names, including Alice Cooper, Black Sabbath, Sex Pistols, Down, Queens Of The Stone Age, Dio, Monster Magnet and many more. They have headlined sell-out shows at New York's revered CBGB's, Los Angeles' notorious Troubadour and the legendary Underworld in Camden, London. They have also blown fields full of minds at such prestigious festivals as Sonisphere, Download, Hellfest, Bloodstock Open Air, Roadburn, Dynamo, Maryland Death Fest and High Voltage. An Orange Goblin show is a guaranteed good time…all you need to do is get the beers in, prepare your neck muscles for maximum punishment and surrender to the sound of a grand heavy metal institution letting rip at full throttle.

A lean, mean hard rocking' machine…the eight-legged tag team of frontman Ben Ward, bassist Martyn Millard, guitarist Joe Hoare and drummer Chris Turner have reached a new peak of creativity and one-two-fuck-you intensity on 'A Eulogy For The Damned'. This is the album that deftly encapsulates everything that is exhilarating and admirable about this most dedicated and humble of British metal wrecking crews and that deserves to propel Orange Goblin to the front of the British metal queue. They're back and the party is starting all over again. Whose round is it??

Lionize
LionizeLionize started when four high school friends in Maryland got together to have fun in their parent's basement with the goal of picking up girls by performing music. Drawing on their mutual love of reggae acts like Steel Pulse, Bob Marley, Toots, and Capleton and rock groups like The Police, The Beatles, Pink Floyd, and Black Sabbath, the band sought out to create a new sound in reggae and a new sound in rock.

After a year of performing regionally to their expanding fan base, they sold their first 1000 home printed CD's out of the back of their cars, attracting the attention of promoter and international touring artists. They soon found themselves sharing the stage with reggae legends such as Steel Pulse, The Wailers, Israel Vibration and Yellow Man in addition to rock headliners such as Hoobastank and Flogging Molly.

Lionize continued to tour relentlessly, playing more than 250 dates over two years and selling another 2000 copies of their subsequent album Danger My Dear (2005).

Barely in their 20s, their work began gamering the attention of producers and musicians living in their area. With their follow-up EP Mummies Wrapped in Money (2006), they enlisted the aid of producer/engineer Scott Spelbring whose resume includes Jason Mraz, Dave Matthews Band, OAR, Lincoln Park among others. Neil Fallon, the lead singer of Clutch, also lends his vocal talents to the title track.

Building a strong regional presence among fans, promoters and musicians alike, Lionize are continuing to excited the masses through their dynamic live performances at clubs, colleges, and festivals. They are also currently working on finishing their first full-length album.


http://lionizemusic.com
www.myspace.com/lionize
http://www.facebook.com/LIONIZEMUSIC?ref=ts
https://twitter.com/#!/LionizeMusic

Scorpion Child
Scorpion ChildAttributes in music are known to be cyclical. Every few years, a band comes along who borrows just enough from the revered past to bring a new infusion of vitality to the musical present. SCORPION CHILD's sound invokes a time when guitar-driven rock ruled radio's airwaves, when being hypnotized by a frontman and his bandmates in a concert arena was one of life's ultimate main events. A five-piece from Austin, Texas, SCORPION CHILD have spent the last few years perfecting both their songwriting and stage show. Guitarists Chris Cowart and David Finner deliver their finessed twin guitar attack with experience older than their years; bassist Shaun Avants and drummer Shawn Alvear are steadfast sentinels of their driving rhythm section; and lead singer Aryn Jonathan Black fronts the psychedelic rock cavalry with a passion & voice reminiscent of the early eras of Robert Plant and Ronnie James Dio.

“I’ve always wanted to hear new musical ingredients within a classic heavy sound," states vocalist AJB. "It’s great to witness captivating performances where both the live show and the band’s recorded material can complement one another. The heavy-prog sounds of Uriah Heep, Hairy Chapter, and the epic delivery of early Rainbow showcases these crossovers brilliantly and gave us all honest - yet relentless - sonics to aspire to. That's why it’s important for us as a band to maintain spontaneity while putting a special emphasis into integral hooks.”

This May, Nuclear Blast Entertainment will release SCORPION CHILD's self-titled, full-length debut. Produced and arranged by Chris “Frenchie” Smith (The Answer, Jet, And You Will Know Us By The Trail Of Dead, The Toadies, Dax Riggs), the album uses analog recording technology to organically capture a hybrid of nine, hook-filled chapters of heavy psych rock. The goal? To breathe new life into a neglected yet still important musical heritage.

Dangerous guitar riffs, soul-ridden bass lines, and thunderous drums with powerful rock vocals as lead conductor convey the on-stage swagger of SCORPION CHILD and will prepare you for the live experience awaiting you when the band tours the U.S. and Europe throughout 2013.

https://www.facebook.com/scorpionchild