May 27, 2013
Door Time: 7:00 PM
Presented By: 94.3 KILO

Day: Monday, May 27, 2013
Door Time: 7:00 PM
Age: All Ages
Advance Ticket Price: $20
Day Of Show Price: $22
Buy Tickets

Escape The Fate
Appearing amid the fertile screamo scene of the 2000s, the Las Vegas quintet Escape the Fate prided itself, above all else, on an energetic and visceral live show. The band's formation was propelled in part by MySpace, which vocalist Ronnie Radke and bassist Max Green utilized while searching for new bandmembers after their previous group's demise. The networking site allowed them to recruit guitarist Bryan Money, who subsequently brought along Vegas transplant (and former Lovehatehero guitarist) Omar Espinoza. Drummer Robert Ortiz joined thereafter to complete the group. Debuting live barely one month later, the guys found early success via local radio outlets and quickly amassed a devoted hometown following. By September 2005, Escape the Fate had won a local radio contest judged by My Chemical Romance. The gig awarded them the opportunity to open a show on the band's headlining tour with Alkaline Trio and Reggie and the Full Effect, which subsequently led to Escape the Fate's record deal with Epitaph. Their debut five-song EP, There's No Sympathy for the Dead, appeared in May 2006. Tour dates followed throughout the summer months, but the band took a break from the road several weeks before the September release of Dying Is Your Latest Fashion, citing personal issues. The album fared well, however, and the band resumed touring soon after. Guitarist Espinoza amicably left the group in 2007, and Ronnie Radke was ousted one year later due to continued drug problems and one charge of battery (which indirectly resulted in the death of an 18-year-old boy). Escape the Fate recruited former blessthefall vocalist Craig Mabbitt to fill the vacant frontman position, and the revised lineup immediately hit the studio in mid-2008 to record a sophomore album. This War Is Ours was released that October and debuted at number 35 on the Billboard charts.

The Color Morale
The Color MoralePost hardcore from RocLife brings two kinds of pain: the kind that hurts and the kind that transforms.

THE COLOR MORALE stands with their fans. Hurting together. Healing together. Strengthening each other through the common bonds of brokenness, suffering and a hope for redemption. The group’s ever-building following stands with them, too: they made the Alternative Press cover stars’ third album #1 on Billboard’s Heatseekers chart and flood their social media channels with heartfelt messages of encouragement.

The Color Morale is conscious of the power of heavy riffs, big melodies and impassioned truths to relieve and communicate. The idea behind Hold On Pain Ends, is as refreshingly simple as the old adage, “If you’re going through Hell… Keep going.”

On their fourth album and first for Fearless Records, the Alternative Press cover stars and Breakthrough Band nominees explore new depths of power, emotion and feeling.

This generation is under assault. Broken homes, neglectful parents, dystopian urban landscapes, draconian education centers – it’s no wonder so many are in the throes of addiction, or succumbing to self-harm, or starving themselves, or inducing vomiting just to feel “good enough” or “good looking,” or in some cases, just to feel at all. But anguish doesn’t have to be permanent. That’s why the album is called Hold On Pain Ends.

Lead singer and cofounder Garret Rapp doesn’t mince words when talking about purpose. “If you’re in a band and your band gets big at all, you really can use that to do a lot of good. Bands come and go, so make the best of your time. When I’m at the show, my time should be spent out there on the ground, in the dirt, with everyone else there.”

It’s from that pressing of the flesh and conversation with the fans that Rapp and the rest of The Color Morale – guitarists Devin King and Aaron Saunders, bassist Mike Honsonand cofounder/drummer Steve Carey – drew inspiration for Hold On Pain Ends. Producer Mike Green (Paramore, Pierce The Veil, All Time Low) enabled the band to hone in on their most vibrant, focused and overwhelmingly powerful collection of songs.

The early rumble of We All Have Demons (2009) and My Devil in Your Eyes (2011) can still be heard, with plenty of slices of the creative bombast of the band’s breakthrough album, Know Hope (2013), throughout. Longtime The Color Morale true believers will be thrilled with Hold On Pain Ends. Fans of rabblerousing radio saboteurs Rise Against, post-hardcore artisans Glassjaw and post-punkers Face To Face should take heed, too.

Armed with the life experience and the talent to convey a realistic but ultimately positive message in a way that resonates with those under the thumb of life’s more awful alternatives to a healthy existence, The Color Morale confess their personal problems as a means of showing empathy with what their audience is going through.

“Prey for Me” sets the tone for The Color Morale’s fully realized musical identity. “Damnaged” offers an impassioned exploration of Rapp’s rocky childhood. “Outer Demons” has an old-school punk meets metalcore feel. “Suicide doesn’t end the pain, it passes it to the ones you loved and remains,” Rapp bellows in “Suicide;Stigma,” which offers some semblance of solutions. Dave Stephens from We Came As Romans guests. Speaking of guests, Craig Owens from Chiodos lends a hand on “Developing Negative,” which tackles another difficult subject from a very personal place. “I’ve struggled with addiction,” Rapp confesses. “Even my best friends don’t know about it.”

The Color Morale’s insistence on communication, participation and inspiration puts them in front of the pack, as the band crisscrosses the globe connecting with crowds while on tour with contemporaries like Of Mice & Men, We Came As Romans, Escape The Fate, August Burns Red and The Devil Wears Prada. Each performance is a chance to further erode the false divide between band and audience. The Color Morale breaks down that wall, brick by brick, with every performance and every fan interaction. 

“At the end of the day, I just want to find the place where I can do the most good in my life,” Rapp concludes. “I think the place I’ll do the most good right now is helping kids deal with messed up their surroundings are and how hard life can be at times.”
kford, IL
Official Instagram: @thecolormorale

Glamour Of The Kill
“Glamour Of The Kill are one of the UK’s brightest young hopes.” - Kerrang!

“The UK has a new crossover phenomenon in the making.” - Metal Hammer

Thick as Thieves
Thick as ThievesThick as Thieves is on the cutting edge of the ever changing musical spectrum, bringing each members unique taste and stylings to the stage. From Nas and Tupac to Mumford and Sons and AC/DC, Thick as Thieves exists harmoniously within musical contradictions. Each song is a unique opportunity for an audience member to explore various musical genres seamlessly, each song flowing between the other in a fresh and gratifying way. Up-tempo and honest, the lyrics and melodies allow the band to share intimate moments with the audience, engaging each listener with passionate performances and energetic sets.

Formed in 2009, Thick as Thieves already performs regularly around the Los Angeles music scene including the world famous Sunset Strip venues like “The Whiskey,” and “The Roxy” to local hangouts like Molly Malone’s and The Mint. Successful tours of the NW, Midwest, and NE have led Thick as Thieves into the college market place, showcasing their talent across the country.

Opening for artists such as P.O.D, Sean Kingston, New Boyz, and Young the Giant, Thick as Thieves is blistering their path to superstardom themselves. Their newest EP “These Days” launched on January, 8th to rave reviews! This Spring TAT will be opening for Matt and Kim and Imagine Dragons among others as they criss cross the nation on another epic college tour.